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Dionne Haroutunian

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Dionne Haroutunian

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BOSNIA, PART 1: UNDERSTANDING THE CLUES

September 2, 2016 Dionne Haroutunian
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La version française est en cours de traduction. Merci de votre patience. 

This morning, we just crossed the border from Croatia into Bosnia. Things are different here. I notice abandoned houses here and there. Churches too. When I am traveling, I’m always looking for cues, trying to understand what happened AND what’s going on now. Really going on now, not the story I’m fed.

After about fifty houses, I realize they invariably have four thick stone walls still standing, but no roof, no windows, no inside walls. It dawns on me: those are not old and abandoned: they were destroyed during the Bosnian War. They are left standing. A testimony to the massacres, to the endless horrors. A war waged on civilians. We have been doing a huge amount of painful research these past few days, and suddenly we find ourselves riding through the history we both have been having nightmares about.

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I have a huge lump in my throat. With all the years I have spent creating artwork about genocides, wars and refugees, I have never witnessed any of it directly. I have never been in a country where what is left from the devastation of war is still visible, untouched. Silent witnesses. Based on what I read, I make up some stories: people left in a hurry. The ones able to come back built a new house practically touching the destroyed one. It takes money to remove a house. One thing people do not have here is money. They may want to keep the ruins as a reminder. Never again. And again: never again.

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The further south we travel, the closer the destroyed houses are to each other. Until finally I see what makes me fall apart all the way.

I stop. I get off. I don’t remember looking for a safe place to pull over. I’m in a daze.

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Ten, fifteen houses together. A village. A village of destroyed houses. As I’m standing there, I hear children playing, laughing. They are running. There is a ball. I immediately worry: one could run after the ball all the way to the road where there are cars. I see a woman walking to her neighbor to ask for a cup of sugar. I feel the breeze of a warm summer evening when the entire village gets together to roast a goat and celebrate. I see old people resting in the shade. I see young women bringing large platters of food.

I come back. Minutes have gone by. Nothing has moved.

Life here has long been gone.

I’m sobbing. 

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If you enjoyed this post and would like to become a part of the worldwide community I am building, you can join a long list of supporters and purchase a piece of art. A heartfelt thank you to all of you who have chosen to support my project and “come with me" in recent years.

← BOSNIA, PART 2: COFFEE IN THE MIDST OF DESTRUCTIONCROATIA, PART 3: A SPECIAL MEETING (PART 3/3) →

ABOUT

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An active member of the Seattle arts community, Dionne works out of her BallardWorks studio in Seattle. You can often meet her and discuss her artwork and travels during the monthly Ballard ARTwalk. That is … if she is not adventuring somewhere else on that day! She discovered printmaking at the Pratt Fine Art Center in Seattle where she started taking classes in 1989. “I completely fell in love and my passion for this medium has remained unchanged through the years. I work much like a painter, combining many print techniques – silkscreen, etching, monotype, woodblock, collagraph and others to create one-of-a-kind prints (monoprints). 

Dionne’s motorcycle forays are one of the  sources of inspiration behind her artwork and writing. Riding a motorcycle is a remarkable mode of travel because it removes the separation between environment and self. “When I ride, I experience the landscape through my senses, instead of simply observing it from a distance.” Another critical aspect of motorcycling is that the probability for chance meetings and unexpected discoveries is increased; people gravitate toward motorcyclists and strike up conversations. “These fortuitous exchanges contribute to my overall sense of connection in the world.” 

 

ARCHIVE

  • 2020
    • May 20, 2020 TURKEY: a little side trip before Part 5
    • Apr 27, 2020 TURKEY: Facing my worse demon, Part 4 of 5
    • Apr 24, 2020 TURKEY: Facing my worse demon, Part 3 of 5
    • Apr 20, 2020 TURKEY: Facing my worst demon, Part 2 of 5
    • Apr 15, 2020 TURKEY: Facing my worst demon, Part 1 of 5
  • 2018
    • Dec 29, 2018 MOROCCO: Fishing for fog nets!
    • Dec 28, 2018 MOROCCO: When life provides before you even ask
    • Dec 27, 2018 MOROCCO: Hmmm ... should we relocate to Imelghas?
    • Dec 27, 2018 MOROCCO: Our most evolved business deal to date
    • Dec 21, 2018 MOROCCO: The Power of a Name
    • Dec 16, 2018 MOROCCO: humble beginnings
    • Nov 25, 2018 España: a few quick highlights!
    • Nov 25, 2018 España: If old walls could talk ...
    • Nov 25, 2018 España: A trip to the emergency!
    • Nov 25, 2018 España: Thoughts on Spain
    • Nov 25, 2018 España: Juan, the Man of Catalonia
    • Oct 29, 2018 Pakistan: Yet another flat tire
    • Oct 29, 2018 In Little Karim’s foot steps
    • Oct 29, 2018 Pakistan: Moin kept his promise (no surprise!)
    • Oct 29, 2018 Pakistan: My one regret about my trip to Pakistan
    • Oct 13, 2018 Pakistan: Shop at Bashir’s — he’s got it all!
    • Oct 12, 2018 Pakistan: Polo anybody?
    • Oct 10, 2018 Pakistan: a doctor among us! (English version after the French)
    • Oct 10, 2018 Pakistan: Guiding Principles Part 1: Re-union
    • Sep 13, 2018 World peace in the family ...
    • Sep 13, 2018 A Swiss holiday for Armenian celebrations
    • Sep 1, 2018 KLIMT and HUNDERTWASSER -- an immersive exhibit
    • Aug 30, 2018 Luggage: Why four 50lb suitcases for a motorcycle journey?
    • May 2, 2018 WELCOME!
    • Feb 25, 2018 SEQUIM
  • 2017
    • Sep 17, 2017 PAKISTAN (PROLOGUE)
  • 2016
    • Oct 14, 2016 MONTENEGRO, PART 2: MEETING THE PRODIGY CHILD
    • Oct 12, 2016 MONTENEGRO, PART 1: MEETING THE PRODIGY CHILD
    • Oct 8, 2016 BOSNIA, PART 10: INDEFATIGABLE JASMINE
    • Sep 30, 2016 BOSNIA, PART 9: TITO’S PARTISAN CEMETERY OF MOSTAR (3 OF 3)
    • Sep 28, 2016 BOSNIA, PART 8: TITO’S PARTISAN CEMETERY OF MOSTAR (2 OF 3)
    • Sep 26, 2016 BOSNIA, PART 7: TITO’S PARTISAN CEMETERY OF MOSTAR (1 OF 3)
    • Sep 16, 2016 BOSNIA, PART 6: BATA (3 OF 3)
    • Sep 14, 2016 BOSNIA, PART 5: BATA (2 OF 3)
    • Sep 9, 2016 BOSNIA, PART 4: BATA (1 OF 3)
    • Sep 8, 2016 BOSNIA, PART 3: MAJDA
    • Sep 6, 2016 BOSNIA, PART 2: COFFEE IN THE MIDST OF DESTRUCTION
    • Sep 2, 2016 BOSNIA, PART 1: UNDERSTANDING THE CLUES
    • Aug 26, 2016 CROATIA, PART 3: A SPECIAL MEETING (PART 3/3)
    • Aug 23, 2016 CROATIA, PART 4: AN INTENSE EXPERIENCE
    • Aug 16, 2016 CROATIA, PART 5: FOLLOWING CROATIA’S ADRIATIC COASTLINE
    • Aug 15, 2016 AUSTRIA, PART 3 – VON DIE FRAU PÖLTZLBAUER KOMMT INSPIRAZION!
    • Apr 14, 2016 MY INDIEGOGO CAMPAIGN
 

CONTACT

Dionne Haroutunian

2856 N.W. Market Street

Seattle WA 98107

4ArtandAdventure@gmail.com

 

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