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Dionne Haroutunian

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Dionne Haroutunian

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CROATIA, PART 4: AN INTENSE EXPERIENCE

August 23, 2016 Dionne Haroutunian

La version française est en cours de traduction. Merci de votre patience.

Shortly after we cross the border into Croatia, we look at our cool moto-specific maps and choose a route that seems way interesting. Narrow and twisty. No towns. Forests. Perfect! We have no particular itinerary in mind, no place that we have to be, nobody waiting AND we are no longer in the Schengen area so we can finally let go of that constant worry in the back of our minds.

After a little while, in the distance on the right I see a village. It’s calling me. I ignore it when I see the arrow pointing in that direction. Just because we don’t have a schedule doesn’t mean we can stop every fifteen minutes, my Swiss side objects. But when another dirt road on my right comes along, my bike takes the turn and ten meters later stops. In front of me a memorial. A memorial here? In the middle of nowhere? Curious, I get off to investigate.

May It Never Happen Again: Male Mune, May 5 1944.

I know I’m in for something traumatic. I read on. In order to prevent Male Mune residents from helping or joining the partisan troops, on May 5 1944 the Nazis gave people twenty minutes to gather their things and leave, and then burnt the town. During the period of October 1943 til August 1944, a total of 45 villagers from Male Mune were taken to the labor and concentration camps in the area of today’s Austria and Germany.

According to records of the parish chronicle, Male Mune was the most beautiful village in the parish. During the early 1940’s there were 490 residents living in 100 households. At that time there were three stores, a bakery, a tavern and a carpentry trade.  

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You sure can’t tell that from seeing the village today. We ride through it. It is frozen in time. It’s late afternoon but the clock tower still says 9. Seeing the grass growing through it, it hasn’t moved in years. Possibly in 72 years. What the villagers who came back after the war did is build new homes but leave the destroyed ones untouched. So nobody will forget. Ever. They live that moment of history every day.

I have a need to stay quiet, take it in. I decide to sit and paint. Every person I see looks more through me than at me. They barely respond to my greeting. A grunt. I am wondering who the memorial is for: themselves or for an occasional outsider? At first I took it as an invitation. Now I am not so sure it was. I feel like a voyeur. It is very awkward.  This is a tiny, out of the way road. I can’t imagine too many “tourists” driving by, let alone stopping and driving through.

As I am standing besides the road, painting, I am enveloped by silence. Heaviness. The air is made of darkness. I am asking myself: are you making this up because you KNOW what happened or is it real? I will never know.

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If you enjoyed this post and would like to become a part of the worldwide community I am building, you can join a long list of supporters and purchase a piece of art. A heartfelt thank you to all of you who have chosen to support my project and “come with me" in recent years.

← CROATIA, PART 3: A SPECIAL MEETING (PART 3/3)CROATIA, PART 5: FOLLOWING CROATIA’S ADRIATIC COASTLINE →

ABOUT

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An active member of the Seattle arts community, Dionne works out of her BallardWorks studio in Seattle. You can often meet her and discuss her artwork and travels during the monthly Ballard ARTwalk. That is … if she is not adventuring somewhere else on that day! She discovered printmaking at the Pratt Fine Art Center in Seattle where she started taking classes in 1989. “I completely fell in love and my passion for this medium has remained unchanged through the years. I work much like a painter, combining many print techniques – silkscreen, etching, monotype, woodblock, collagraph and others to create one-of-a-kind prints (monoprints). 

Dionne’s motorcycle forays are one of the  sources of inspiration behind her artwork and writing. Riding a motorcycle is a remarkable mode of travel because it removes the separation between environment and self. “When I ride, I experience the landscape through my senses, instead of simply observing it from a distance.” Another critical aspect of motorcycling is that the probability for chance meetings and unexpected discoveries is increased; people gravitate toward motorcyclists and strike up conversations. “These fortuitous exchanges contribute to my overall sense of connection in the world.” 

 

ARCHIVE

  • 2020
    • May 20, 2020 TURKEY: a little side trip before Part 5
    • Apr 27, 2020 TURKEY: Facing my worse demon, Part 4 of 5
    • Apr 24, 2020 TURKEY: Facing my worse demon, Part 3 of 5
    • Apr 20, 2020 TURKEY: Facing my worst demon, Part 2 of 5
    • Apr 15, 2020 TURKEY: Facing my worst demon, Part 1 of 5
  • 2018
    • Dec 29, 2018 MOROCCO: Fishing for fog nets!
    • Dec 28, 2018 MOROCCO: When life provides before you even ask
    • Dec 27, 2018 MOROCCO: Hmmm ... should we relocate to Imelghas?
    • Dec 27, 2018 MOROCCO: Our most evolved business deal to date
    • Dec 21, 2018 MOROCCO: The Power of a Name
    • Dec 16, 2018 MOROCCO: humble beginnings
    • Nov 25, 2018 España: a few quick highlights!
    • Nov 25, 2018 España: If old walls could talk ...
    • Nov 25, 2018 España: A trip to the emergency!
    • Nov 25, 2018 España: Thoughts on Spain
    • Nov 25, 2018 España: Juan, the Man of Catalonia
    • Oct 29, 2018 Pakistan: Yet another flat tire
    • Oct 29, 2018 In Little Karim’s foot steps
    • Oct 29, 2018 Pakistan: Moin kept his promise (no surprise!)
    • Oct 29, 2018 Pakistan: My one regret about my trip to Pakistan
    • Oct 13, 2018 Pakistan: Shop at Bashir’s — he’s got it all!
    • Oct 12, 2018 Pakistan: Polo anybody?
    • Oct 10, 2018 Pakistan: a doctor among us! (English version after the French)
    • Oct 10, 2018 Pakistan: Guiding Principles Part 1: Re-union
    • Sep 13, 2018 World peace in the family ...
    • Sep 13, 2018 A Swiss holiday for Armenian celebrations
    • Sep 1, 2018 KLIMT and HUNDERTWASSER -- an immersive exhibit
    • Aug 30, 2018 Luggage: Why four 50lb suitcases for a motorcycle journey?
    • May 2, 2018 WELCOME!
    • Feb 25, 2018 SEQUIM
  • 2017
    • Sep 17, 2017 PAKISTAN (PROLOGUE)
  • 2016
    • Oct 14, 2016 MONTENEGRO, PART 2: MEETING THE PRODIGY CHILD
    • Oct 12, 2016 MONTENEGRO, PART 1: MEETING THE PRODIGY CHILD
    • Oct 8, 2016 BOSNIA, PART 10: INDEFATIGABLE JASMINE
    • Sep 30, 2016 BOSNIA, PART 9: TITO’S PARTISAN CEMETERY OF MOSTAR (3 OF 3)
    • Sep 28, 2016 BOSNIA, PART 8: TITO’S PARTISAN CEMETERY OF MOSTAR (2 OF 3)
    • Sep 26, 2016 BOSNIA, PART 7: TITO’S PARTISAN CEMETERY OF MOSTAR (1 OF 3)
    • Sep 16, 2016 BOSNIA, PART 6: BATA (3 OF 3)
    • Sep 14, 2016 BOSNIA, PART 5: BATA (2 OF 3)
    • Sep 9, 2016 BOSNIA, PART 4: BATA (1 OF 3)
    • Sep 8, 2016 BOSNIA, PART 3: MAJDA
    • Sep 6, 2016 BOSNIA, PART 2: COFFEE IN THE MIDST OF DESTRUCTION
    • Sep 2, 2016 BOSNIA, PART 1: UNDERSTANDING THE CLUES
    • Aug 26, 2016 CROATIA, PART 3: A SPECIAL MEETING (PART 3/3)
    • Aug 23, 2016 CROATIA, PART 4: AN INTENSE EXPERIENCE
    • Aug 16, 2016 CROATIA, PART 5: FOLLOWING CROATIA’S ADRIATIC COASTLINE
    • Aug 15, 2016 AUSTRIA, PART 3 – VON DIE FRAU PÖLTZLBAUER KOMMT INSPIRAZION!
    • Apr 14, 2016 MY INDIEGOGO CAMPAIGN
 

CONTACT

Dionne Haroutunian

2856 N.W. Market Street

Seattle WA 98107

4ArtandAdventure@gmail.com

 

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